1) the first edition from 1741 has been converted to modern notation;

2) Bach’s corrections have been implemented and notation errors that remained have also been addressed;
3) in addition, elements on which opinions may differ are discussed in advance along with those errata;
4) ornamental symbols have been taken from the first edition;
5) the layout and paper size have been chosen to make it easier to see the structure of the piece;
6) peer reviewed and thoroughly discussed by 10+ professional musicians.

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